Nuuk

Still life #02 forma parte de una investigación más amplia sobre nuestra relación con las imágenes y su inmaterialidad....

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Michael, el héroe definitivo, se enfrenta con todas sus fuerzas al villano Mr. Big, cuya suprema ambición es apoderarse del mundo,...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...

Reynivellir es una representación del tránsito que se genera al acercarse a la obra de arte, descrita con juegos visuales que bien...

Köner uses sequences of images from webcams as raw material. People and their vehicles appear acoustically, but not visually. The shift from day...